How to Write a Play
by Eugène Labiche
Everyone writes in accordance with his inspiration and his temperament. Some sing a gay note, others find more pleasure in making people
As for me, this is my procedure:
When I have no idea, I gnaw my nails and invoke the aid of Providence.
When I have an idea, I still invoke the aid of Providence,--but with less fervor, because I think I can get along without it.
It is quite human, but quite ungrateful.
I have then an idea, or I think I have one.
I take a quire of white paper, linen paper--on any other kind I can imagine nothing--and I write on the first page:
By the plan I mean the developed succession, scene by scene, of the whole piece, from the beginning to the end.
So long as one has not reached the end of his play he has neither the beginning nor the middle. This part of the work is obviously the most
laborious. It is the creation, the parturition.
As soon as my plan is complete, I go over it and ask concerning each scene its purpose, whether it prepares for or develops a character or
situation, and then whether it advances the action. A play is a thousand-legged creature which must keep on going. If it slows up, the public
yawns; if it stops, the public hisses.
To write a sprightly play you must have a good digestion. Sprightliness resides in the stomach.
Eugène Labiche.Eugène Labiche (1815-1888) was the most prolific of the comic dramatists of France in the nineteenth century
and the most richly endowed with comic force. Most of his pieces are frankly farcical, but not a few of them rise to the level of true comedy.
The solid merit of his best work is cordially recognized in the luminous preface written by Augier for the complete collection of Labiche's